{"id":9581,"date":"2022-02-21T10:22:14","date_gmt":"2022-02-21T09:22:14","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9581"},"modified":"2022-03-18T10:49:23","modified_gmt":"2022-03-18T09:49:23","slug":"parallel-waves","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/parallel-waves\/","title":{"rendered":"Parallel waves"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"noMarginBottom caps edge wp-block-heading\"><strong><strong>Parallel waves<\/strong><\/strong><\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\">GASPAR BATTHA &amp; ANDRAS NAGY<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Mapping<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p><strong>Hexalab invites the Hungarian artists Gaspar Battha &amp; Andras Nagy for an original audiovisual creation with four hands. This monumental projection takes shape on the 70 meters fa\u00e7ade of the Conservatory of Aix-en-Provence.<\/strong><\/p>\n\n\n\n<p>It reveals this contemporary monument built in 2013 by the architect Kengo Kuma under an original and spectacular angle.<\/p>\n\n\n\n<p>The title Parallel Waves refers to the tensions that the phenomenon of levitation creates on different natural phenomena such as sound or light waves, or the physical forces created by wind and gravity, which the artists play with to animate and transform the fa\u00e7ade. In doing so, the artists question our perceptions of reality, often apprehended through a screen rather than through direct sensory experience.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4-1024x684.jpg\" alt=\"\" class=\"wp-image-10254\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4-1024x684.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4-1536x1026.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/2018-11-10_ZINC_Chroniques_CREDIT_Pierre-Gondard_-21.4.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><meta charset=\"utf-8\"><em>Parallel waves<\/em>, Gaspar Battha &amp; Andras Nagy, Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/parallel-waves\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/parallel-waves\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Parallel+waves&amp;url=https:\/\/chroniques-biennale.org\/en\/parallel-waves\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artists<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Gaspar Battha <sup>(HU)<\/sup><\/h2><div class=\"artisteContent\"><p>Gaspar Battha was born in Budapest (Hungary) and partly grew up in Bergen (Norway). He later moved to Vienna (Austria) and Berlin (Germany) to follow new media studies and graduated with a master\u2019s degree in art and media at the University of Arts in Berlin.<\/p>\n<p>Ever since he\u2019s been working as a freelance art director, motion designer and media artist. With his network of freelancers and companies, he has produced art projects and has worked on the development of multimedia museums, exhibitions and product launch events around the world.<\/p>\n<p>Since 2014 he is also a guest lecturer at the University of Arts in Berlin.<\/p>\n<\/div><\/div><\/div>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><\/div><div class=\"artisteBlockRight\"><h2>Andr\u00e1s Nagy <sup>(HU)<\/sup><\/h2><div class=\"artisteContent\"><p>Andr\u00e1s L\u00e1szl\u00f3 Nagy was born in Budapest. He studied visual arts and classical music hoping to find the best possible way to combine the two.<br \/>\nHe made several audio-visual installations and performances, and was invited to jurying and represent TouchDesigner in the Moscow Art Vision festival 2018.<br \/>\nThe main focus point in his work is to find innovative visual language in the field of generative and interactive media. His unique style is well recognizable from its abstract minimalistic elements.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p class=\"is-style-default\">In partnership with Hexalab<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom\"><\/p>\n","protected":false},"featured_media":10252,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[26],"class_list":["post-9581","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/10252"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9581"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9581"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}