{"id":9651,"date":"2022-02-21T11:45:32","date_gmt":"2022-02-21T10:45:32","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?post_type=oeuvre&#038;p=9651"},"modified":"2022-03-10T09:47:57","modified_gmt":"2022-03-10T08:47:57","slug":"les-voyageurs","status":"publish","type":"oeuvre","link":"https:\/\/chroniques-biennale.org\/en\/oeuvre\/les-voyageurs\/","title":{"rendered":"Les voyageurs"},"content":{"rendered":"\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<h1 class=\"is-style-edge wp-block-heading\">Les voyageurs<\/h1>\n\n\n\n<h2 class=\"caps is-style-noMarginBottom wp-block-heading\"><meta charset=\"utf-8\">C\u00e9dric Le Borgne<\/h2>\n\n\n\n<div class=\"wp-block-group oeuvreTopRow is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<h4 class=\"wp-block-heading\">Installation in public space<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<p class=\"is-style-default wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"697\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-11.43.16.png\" alt=\"\" class=\"wp-image-9650\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-11.43.16.png 391w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-11.43.16-168x300.png 168w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><figcaption><meta charset=\"utf-8\"><em>Les voyageurs<\/em>, C\u00e9dric le Borgne, Biennale of Digital Imagination 2018 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default wp-block-paragraph\">Share this event on social networks<\/p>\n\n\n<div class=\"socialLinks socialShare\"><ul><li><script>function fbs_click() {u=location.href;t=document.title;window.open('http:\/\/www.facebook.com\/sharer.php?u=https:\/\/chroniques-biennale.org\/en\/les-voyageurs\/&t='+encodeURIComponent(t),'sharer','toolbar=0,status=0,width=626,height=436'); return false; }<\/script><a rel=\"nofollow\" href=\"http:\/\/www.facebook.com\/share.php?u=<;url>\" onclick=\"return fbs_click()\" target=\"_blank\" class=\"facebookLink\"><i class=\"fab fa-facebook-f\"><\/i><\/a><\/li><li><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&url=https:\/\/chroniques-biennale.org\/en\/les-voyageurs\/\" target=\"_blank\" ><i class=\"fab fa-linkedin-in\"><\/i><\/a><\/li><li><a href=\"https:\/\/twitter.com\/intent\/tweet?text=Les+voyageurs&amp;url=https:\/\/chroniques-biennale.org\/en\/les-voyageurs\/\" target=\"_blank\" class=\"twitterLink\"><i class=\"fab fa-twitter\"><\/i><\/a><\/li><\/ul><\/div>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Artist<\/h4>\n\n\n<div class=\"artisteBlock  \"><div class=\"artisteBlockLeft\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/02\/Capture-de\u0301cran-2022-02-21-a\u0300-11.43.16.png\" alt=\"\" \/><\/div><div class=\"artisteBlockRight\"><h2>Khalil Epi <sup>(FR)<\/sup><\/h2><div class=\"artistContactLine\"><ul class=\"artisteSocials\"><li><a href=\"https:\/\/www.instagram.com\/khalilepi\" target=\"_blank\" class=\"iconLink\"><i class=\"fab fa-instagram\"><\/i><\/a><\/li><\/ul><\/div><div class=\"artisteContent\"><p><span style=\"font-weight: 400;\">Compositeur, multi-instrumentiste et artiste vid\u00e9o, Khalil Hentati (EPI) s&#8217;impose comme une figure centrale de la r\u00e9interpr\u00e9tation \u00e9lectronique contemporaine des musiques traditionnelles et populaires. Son univers sonore circule librement entre musique \u00e9lectronique, improvis\u00e9e, club et savante, tissant des ponts entre h\u00e9ritage et modernit\u00e9 avec une coh\u00e9rence et une \u00e9motion rares.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A\u00efchoucha, sa cr\u00e9ation immersive m\u00ealant musique live et film documentaire qu&#8217;il a lui-m\u00eame r\u00e9alis\u00e9, a rencontr\u00e9 un succ\u00e8s critique et public retentissant \u2014 salu\u00e9e par les artistes et les grandes institutions pour son approche singuli\u00e8re de la m\u00e9moire sonore nord-africaine. Son duo A\u00efta Mon Amour avec la chanteuse marocaine Widad Mjama a depuis tourn\u00e9 largement, portant leur vision de la musique populaire arabe contemporaine sur les sc\u00e8nes d&#8217;Europe et au-del\u00e0. Il est \u00e9galement membre de Frigya aux c\u00f4t\u00e9s du percussionniste Imed Alibi.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Au fil des ann\u00e9es, il a collabor\u00e9 avec un large spectre d&#8217;artistes, danseurs et musiciens \u2014 N3rdistan, Seydou Boro, Masrah el Khachaba, Arabstazy \u2014 \u00e0 travers l&#8217;image, la danse contemporaine, l&#8217;animation, l&#8217;orchestration et l&#8217;arrangement lyrique. Il co-dirige le label franco-tunisien Shouka, et est co-fondateur de Mottamar, le Congr\u00e8s arabe des musiques \u00e9lectroniques et innovantes.<\/span><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<h4 class=\"wp-block-heading\">Credits &amp; mentions<\/h4>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\"><\/div>\n<\/div>\n\n\n\n<p class=\"is-style-noMarginBottom wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"featured_media":9650,"menu_order":0,"template":"","edition":[19],"type_oeuvre":[29],"class_list":["post-9651","oeuvre","type-oeuvre","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre\/9651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/oeuvre"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/oeuvre"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/9650"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=9651"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/edition?post=9651"},{"taxonomy":"type_oeuvre","embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/type_oeuvre?post=9651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}