{"id":12559,"date":"2022-09-05T15:08:09","date_gmt":"2022-09-05T13:08:09","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?page_id=12559"},"modified":"2026-07-16T16:25:14","modified_gmt":"2026-07-16T14:25:14","slug":"exhibition-routes","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/exhibition-routes\/","title":{"rendered":"Exhibition routes"},"content":{"rendered":"\n

Exhibition routes<\/h1>\n\n
\n
Marseille<\/a><\/div>\n\n\n\n
Aix-en-Provence<\/a><\/div>\n\n\n\n
Ch\u00e2teauneuf-le-Rouge<\/a><\/div>\n\n\n\n
Avignon<\/a><\/div>\n\n\n\n
Arles<\/a><\/div>\n\n\n\n
Istres<\/a><\/div>\n\n\n\n
Port de Bouc<\/a><\/div>\n<\/div>\n\n
<\/div>\n\n
\n

Marseille<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Disobedience in the Digital Age<\/h4>\n

La Belle de Mai Brownfield Site<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Sensitive Cartography and Reconstructed Memories<\/h4>\n

La Belle de Mai Brownfield Site<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Earthly Breaths<\/h4>\n

La Vieille Charit\u00e9 Center<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n
\n
<\/div>\n\n\n\n

Aix-en-Provence<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Fabulations \u2014 Reclaiming Our Voices, Reinventing Language<\/h4>\n

21 bis Mirabeau - Departmental Cultural Center<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Futurs solaires<\/h4>\n

Galerie de La Manufacture<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Voix m\u00e9diterran\u00e9ennes<\/h4>\n

Mus\u00e9e du Pavillon de Vend\u00f4me<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La structure des voix<\/h4>\n

Mus\u00e9e des Tapisseries<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Responsibility for Dreams<\/h4>\n

3-bis f<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n
\n
\n
\n
<\/div>\n\n\n\n

Ch\u00e2teauneuf-le-Rouge<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Power lines<\/h4>\n

ARTEUM MAC<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n<\/div>\n\n\n\n
\n
\n
<\/div>\n\n\n\n

Avignon<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

(D\u00e9)jouer les mondes<\/h4>\n

Grenier \u00e0 Sel<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n<\/div>\n\n\n\n
\n
\n
<\/div>\n\n\n\n

Arles<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Octobre Num\u00e9rique \u2013 Faire Monde<\/h4>\n \n <\/div>\n
\n Festival<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n<\/div>\n<\/div>\n\n
\n
\n
\n
<\/div>\n\n\n\n

Istres<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Malices et simulacres<\/h4>\n

Polaris \u2013 Art Center<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n<\/div>\n\n\n\n
\n
\n
<\/div>\n\n\n\n

Port de Bouc<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Let’s stand up and resist!<\/h4>\n

Fernand L\u00e9ger Art Center<\/p> \n <\/div>\n

\n Exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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