{"id":12559,"date":"2022-09-05T15:08:09","date_gmt":"2022-09-05T13:08:09","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?page_id=12559"},"modified":"2024-09-12T15:08:49","modified_gmt":"2024-09-12T13:08:49","slug":"exhibition-routes","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/exhibition-routes\/","title":{"rendered":"Exhibition routes"},"content":{"rendered":"\n

Exhibitions<\/h1>\n\n\n\n
\n
Marseille<\/a><\/div>\n\n\n\n
Aix-en-Provence<\/a><\/div>\n\n\n\n
Avignon<\/a><\/div>\n\n\n\n
Istres<\/a><\/div>\n\n\n\n
Ch\u00e2teauneuf-le-Rouge<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n

Marseille<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

PIB – Plaisir Int\u00e9rieur Brut<\/h4>\n \n <\/div>\n
\n Group exhibition - La Tour 4th floor<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Derniers D\u00e9lices<\/h4>\n \n <\/div>\n
\n Group exhibition - Panorama<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Environnements virtuels<\/h4>\n \n <\/div>\n
\n Exhibitions - La Tour 5th floor<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

En amour<\/h4>\n

Adrien M & Claire B<\/p> \n <\/div>\n

\n Immersive and interactive experience - Big Hall of the Cit\u00e9 des arts de la rue<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n\n\n
\n
<\/div>\n\n\n\n

Aix-en-Provence<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

The Museum of Dating<\/h4>\n \n <\/div>\n
\n Group exhibition - Les M\u00e9janes - Biblioth\u00e8que et archives Michel Vovelle<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

EPIQUE<\/h4>\n

Maximilian Oprishka<\/p> \n <\/div>\n

\n Individual exhibition - Th\u00e9\u00e2tre de l'Achev\u00each\u00e9<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Charnelles Interbioformae<\/h4>\n \n <\/div>\n
\n Individual exhibition - Mus\u00e9e du Pavillon de Vend\u00f4me<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Plaisirs Licites<\/h4>\n \n <\/div>\n
\n Group exhibition - Mus\u00e9e des Tapisseries<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Nouvel Eden<\/h4>\n \n <\/div>\n
\n Group exhibition - Galerie de La Manufacture<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Like moi<\/h4>\n \n <\/div>\n
\n Group exhibition - 21 bis Mirabeau - Espace culturel d\u00e9partemental<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Loops of the loom<\/h4>\n \n <\/div>\n
\n Associated exhibition - Mus\u00e9e des Tapisseries<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Totems d\u2019un monde nouveau<\/h4>\n \n <\/div>\n
\n Associated exhibition - Chapelle Venel<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

R\u00e9sonance<\/h4>\n

Monument Joseph Sec<\/p> \n <\/div>\n

\n Associated exhibition<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La vibration des apparences<\/h4>\n \n <\/div>\n
\n Individual exhibition - Mus\u00e9e Granet<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

L\u2019Op Ethnographique<\/h4>\n

Fondation Vasarely<\/p> \n <\/div>\n

\n Group exhibithion, associated program - Fondation Vasarely<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Demain, si le jour se l\u00e8ve<\/h4>\n \n <\/div>\n
\n Individual exhibition - 3 bis f contemporary arts center I artist residencies I Performing & visual arts<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n\n\n
\n
\n\n\n\n
<\/div>\n\n\n\n

Avignon<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Le futur est d\u00e9j\u00e0 l\u00e0<\/h4>\n \n <\/div>\n
\n Group exhibition - Le Grenier \u00e0 Sel<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n

Istres<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Rivage des a\u00efeules<\/h4>\n \n <\/div>\n
\n Individual exhibition - Polaris, centre d'art<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n

Ch\u00e2teauneuf-le-Rouge<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Anatomie du dessin<\/h4>\n \n <\/div>\n
\n Associated exhibition - Mac Arteum<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n\n\n\n
<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Exhibitions Marseille Aix-en-Provence Avignon Istres Ch\u00e2teauneuf-le-Rouge<\/p>\n","protected":false},"author":1,"featured_media":26346,"parent":1646,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12559","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/12559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=12559"}],"version-history":[{"count":5,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/12559\/revisions"}],"predecessor-version":[{"id":29515,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/12559\/revisions\/29515"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/1646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/26346"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=12559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}