{"id":28982,"date":"2024-05-17T11:33:32","date_gmt":"2024-05-17T09:33:32","guid":{"rendered":"https:\/\/chroniques-biennale.org\/programmation\/live-entertainment\/"},"modified":"2024-09-12T15:10:49","modified_gmt":"2024-09-12T13:10:49","slug":"live-entertainment","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/live-entertainment\/","title":{"rendered":"Live entertainment"},"content":{"rendered":"\n

Live entertainment<\/h1>\n\n\n\n
\n
Marseille<\/a><\/div>\n\n\n\n
Aix-en-Provence<\/a><\/div>\n\n\n\n
Istres<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n

Marseille<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

De-construct<\/h4>\n

Line Katcho \u00b7 France Jobin<\/p> \n <\/div>\n

\n Audiovisual performance - Grand Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Lucif\u00e9rine<\/h4>\n

Thomas Laigle<\/p> \n <\/div>\n

\n Audiovisual performance - Module GMEM<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

1 Drop 1000 Years<\/h4>\n

Martin Messier<\/p> \n <\/div>\n

\n Audiovisual performance - Grand Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Sports Group<\/h4>\n

Gabriel\u0117 Labanauskait\u0117, Gail\u0117 Grici\u016bt\u0117, Viktorija Damerell<\/p> \n <\/div>\n

\n Musical performance - Petit Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Altered States<\/h4>\n \n <\/div>\n
\n Associated program - Le Couvent<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

DISCO FUNERAL<\/h4>\n

Studio Martyr<\/p> \n <\/div>\n

\n Transdisciplinary project, performance and virtual reality - Salle Seita<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Another Deep<\/h4>\n

S\u00e9bastien Robert, Mark IJzerman<\/p> \n <\/div>\n

\n Performative installation - GMEM Module<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Pas de deux<\/h4>\n

Anna-Marija Adomaityte \u00b7 Compagnie A M A<\/p> \n <\/div>\n

\n Dance<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Je suis une montagne<\/h4>\n

Eric Arnal-Burtschy<\/p> \n <\/div>\n

\n Show - Grand Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La Tisseuse d\u2019Histoires<\/h4>\n

Hypnoscope<\/p> \n <\/div>\n

\n Installation and VR show - Petit Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La m\u00eame chose mais pas tout \u00e0 fait pareille<\/h4>\n

Anne-Sophie Turion<\/p> \n <\/div>\n

\n Theater - Le ZEF, studio du Merlan<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n\n\n
\n
<\/div>\n\n\n\n

Aix-en-Provence<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

MIRE<\/h4>\n

Jasmine Morand<\/p> \n <\/div>\n

\n Choreographic installation - Th\u00e9\u00e2tre de l'Olivier \u00e0 L'Usine<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

TOPEEP SECRET BOX<\/h4>\n

Delgado-Fuchs<\/p> \n <\/div>\n

\n Immersive, choreographic experience - Pavillon Noir<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/section>\n\n\n\n
<\/div>\n\n\n\n
\n

Istres<\/h3>\n\n\n
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

MIRE<\/h4>\n

Jasmine Morand<\/p> \n <\/div>\n

\n Choreographic installation - Th\u00e9\u00e2tre de l'Olivier \u00e0 L'Usine<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n
\n
\n\n\n\n
<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Live entertainment Marseille Aix-en-Provence Istres<\/p>\n","protected":false},"author":1,"featured_media":26346,"parent":1646,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28982","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28982"}],"version-history":[{"count":4,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28982\/revisions"}],"predecessor-version":[{"id":29517,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28982\/revisions\/29517"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/1646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/26346"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}