{"id":28986,"date":"2024-06-06T15:32:37","date_gmt":"2024-06-06T13:32:37","guid":{"rendered":"https:\/\/chroniques-biennale.org\/programmation\/music\/"},"modified":"2024-08-29T15:28:33","modified_gmt":"2024-08-29T13:28:33","slug":"music","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/music\/","title":{"rendered":"Music"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center topTitle blackBuble\">Music<\/h1>\n\n<p class=\"wp-block-paragraph\">Without fun, there&#8217;s no party, and without a party, there&#8217;s no fun!&#13;\n&#13;\nThe opening and closing of the Biennial will be punctuated by six cutting-edge lives and DJ sets from local and renowned artists from France, Lithuania, China, Nigeria, the Netherlands and Uganda.<\/p>\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<section id=\"mars\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<h3 class=\"wp-block-heading is-style-bulle\">Inauguration: Nov. 7, 2024<\/h3>\n<\/section>\n<div class=\"eventsCarouselWrapper\"><div class=\" row\"><\/div><\/div>\n\n<section id=\"aix\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading is-style-bulle\">Closing: Jan. 16, 2025<\/h3>\n\n\n<div class=\"eventsCarouselWrapper\"><div class=\" row\"><\/div><\/div>\n<\/section>\n\n<section id=\"avignon\" class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<hr class=\"wp-block-separator has-text-color has-newyellow-color has-alpha-channel-opacity has-newyellow-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Music Without fun, there&#8217;s no party, and without a party, there&#8217;s no fun!&#13; &#13; The opening and closing of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27986,"parent":1646,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28986","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28986"}],"version-history":[{"count":3,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986\/revisions"}],"predecessor-version":[{"id":28989,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986\/revisions\/28989"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/1646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/27986"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}