{"id":28986,"date":"2024-06-06T15:32:37","date_gmt":"2024-06-06T13:32:37","guid":{"rendered":"https:\/\/chroniques-biennale.org\/programmation\/music\/"},"modified":"2026-09-08T15:34:54","modified_gmt":"2026-09-08T13:34:54","slug":"music","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/music\/","title":{"rendered":"In response"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\">In response<\/h2>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"wp-block-paragraph\">&#8220;En \u00e9cho&#8221; encompasses all the programs associated with Marseille, Aix-en-Provence, and the Provence-Alpes-C\u00f4te d\u2019Azur region. These programs reflect not only the Biennale\u2019s theme but also the region\u2019s collaborative dynamics and partner events supported by CHRONIQUES. <\/p>\n\n<div style=\"height:78px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>&#8220;Resistance &amp; Disobedience<\/strong>&#8221; <strong>Exhibition<\/strong><br\/>May 16\u2013November 1<br\/>At the Citadel in Marseille<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Mondes-Marins-Citadelle57-&#xA9;&#xFE0F;Randa-Mirza-1024x683.jpg\" alt=\"\" class=\"wp-image-33054\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Resistance &amp; Disobedience&#8221; is an exhibition resulting from the Franco-Tunisian artist-in-residence program led by Saber Zammouri and Hugo Mir-Valette. Taking as their starting point Habib Bourguiba\u2019s imprisonment at the Citadel of Marseille (1939\u20131942), their works explore colonial memory, archives, resistance, and the reappropriation of sites of oppression through audiovisual and digital installations. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In partnership with CHRONIQUES<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/citadelledemarseille.org\/evenements\/visite-resistances-et-desobeissances\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>&#8220;Memories of Water&#8221; Exhibition<\/strong><br\/>From June 27 to November 1<br\/>At the Vence Museum<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/&#xA9;JoanaMagalhaes_Prisma_5-9-1024x682.jpg\" alt=\"\" class=\"wp-image-33055\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition \u201cMemories of Water\u201d invites visitors of all ages on a sensory and immersive exploration of this essential element, viewed as a place of traces, re<br\/>s of memories, and transformation. Through six installations, visitors discover worlds where sounds, images, lights, movements, and technologies reveal the visible and invisible marks that water leaves on our environment. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.museedevence.fr\/expositions-en-cours-1\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Exhibition by Julien Creuzet<br\/><\/strong>August 28\u2013November 29<br\/>, Digitale Zone &#8211; Marseille<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1647\" height=\"1080\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3.jpeg\" alt=\"\" class=\"wp-image-33062\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3.jpeg 1647w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3-300x197.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3-1024x671.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3-768x504.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/its-you.00_01_28_06.Still004-1-edited-3-1536x1007.jpeg 1536w\" sizes=\"auto, (max-width: 1647px) 100vw, 1647px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Julien Creuzet, a Franco-Caribbean artist, works at the intersection of sculpture, video, sound, and poetry. His work gives rise to immersive environments, inspired by oceanic imaginaries and the narratives of the diaspora. Digitale Zone is exhibiting in two showcase spaces: <em>*It\u2019s you*<\/em>, 2020, and <em>*Orpheus was musing upon braised words<\/em>, <em>Under the light rain of a blazing fog<\/em>, <em>Snakes are deaf and dumb anyway<\/em>, <em>Oblivion buried in<br\/>the depths of insomnia*<\/em>, <em>paravent 6<\/em>, 2022.  <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.digitalezone.fr\/\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">&#8220;<strong>F\u00ealures&#8221;<\/strong><strong>Exhibition<\/strong><strong>by Quentin Destieu<br\/><\/strong>October 15\u2013November 14<br\/>ART CADE &#8211; Marseille<br\/><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/visuel-Expo-felures-Punkyvert-QuentinDestieu-1024x683.jpg\" alt=\"\" class=\"wp-image-33063\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/visuel-Expo-felures-Punkyvert-QuentinDestieu-1024x683.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/visuel-Expo-felures-Punkyvert-QuentinDestieu-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/visuel-Expo-felures-Punkyvert-QuentinDestieu-768x513.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/visuel-Expo-felures-Punkyvert-QuentinDestieu.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;F\u00ealures&#8221; is an exhibition featuring a series of installations that highlight the repurposing of objects and technologies. The title refers to the exploration of a poetic interstice in which new life can take shape, much like plants growing in a crack in the concrete of a sidewalk. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In partnership with CHRONIQUES<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.art-cade.net\/\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>La Worde, La Wild, and the Web\u2014Emmy Ols\u2019 Residency Showcase\u2014Control Z Collective<\/strong><br\/>Thursday, October 22,<br\/>At Le Cube\u2014Aix-Marseille University<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"575\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral-1024x575.png\" alt=\"\" class=\"wp-image-33064\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral-1024x575.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral-768x431.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral-1536x863.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Chroniquesactoral.png 1652w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>You are about to attend a lecture on how bots are taking over the internet. Unfortunately, you won\u2019t be able to stay for the whole thing&#8230; We regret to inform you that there will be a technical issue. This glitch may send you behind the scenes of the web.   <\/em><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.lieuxpublics.com\/fr\/le-worde-la-wild-et-le-web\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Group exhibition and \u201cArts de faire\u201d workshops<\/strong><br\/>, October 31\u2013November 14,<br\/>; Chapelle Venel\u2014Aix-en-Provence,<br\/>. Program curated by the halone collective.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage-1024x576.jpg\" alt=\"\" class=\"wp-image-33065\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage-1024x576.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage-300x169.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage-768x432.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage-1536x864.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/VISUEL_paysage.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Arts de faire&#8221; explores forms of resistance through DIY, low-tech, and collective practices. In a global context of excessive technological progress, we need to rethink our practices. Over the course of three weekends, halone has put together a program of gatherings, workshops, performances, and artistic productions.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A program conceived by halone for the Aix Biennale as part of CHRONIQUES\u2014Biennale of Digital Imaginaries, in partnership with Octobre Num\u00e9rique.  <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/halone.art\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>FIVIA &#8211; International Video and AI Festival<br\/><\/strong>November 26\u201328<br\/>, Marseille<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"572\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/FIVIA-2026-image-1024x572.jpeg\" alt=\"\" class=\"wp-image-33069\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/FIVIA-2026-image-1024x572.jpeg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/FIVIA-2026-image-300x168.jpeg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/FIVIA-2026-image-768x429.jpeg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/FIVIA-2026-image.jpeg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A festival dedicated to the relationship between generative AI and artistic creation, FIVIA features discussions, exhibitions, performances, screenings, and more, featuring international artists and researchers. The theme of the 2026 edition, \u201cTech vs. Tech,\u201d should be understood in its full scope: both a confrontation and a dialogue between technologies\u2014and between technologies and humans. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/fivia.net\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Performance: *La Fracture* by Yasmine Yahiat\u00e8ne<\/strong><br\/>November 24,<br\/>La Garance\u2014Cavaillon\u2019s National Theater<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"662\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-1024x662.jpg\" alt=\"\" class=\"wp-image-33070\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-1024x662.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-300x194.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-768x497.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-1536x993.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/09\/Pauline-Vanden-Neste_photos3-2048x1324.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">*La Fracture* is a raw, solo performance\u2014a form of theater that combines the body, the spoken word, and the visual\u2014in which the artist traces lines on the floor, films, draws, and explores absence to bring memory to the surface. Armed with a VCR and a white marker, Yasmine Yahiat\u00e8ne evokes the story of a father\u2014Ahmed, an Algerian immigrant\u2014and, through him, that of a fragmented heritage, marked by<br\/>, silence, taboo, alcohol&#8230; and soccer. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.lagarance.com\/la-fracture\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In response &#8220;En \u00e9cho&#8221; encompasses all the programs associated with Marseille, Aix-en-Provence, and the Provence-Alpes-C\u00f4te d\u2019Azur region. These programs reflect [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33067,"parent":1646,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28986","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28986"}],"version-history":[{"count":5,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986\/revisions"}],"predecessor-version":[{"id":33106,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28986\/revisions\/33106"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/1646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/33067"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}