{"id":28990,"date":"2022-09-05T16:47:22","date_gmt":"2022-09-05T14:47:22","guid":{"rendered":"https:\/\/chroniques-biennale.org\/programmation\/the-highlights\/closing-week\/"},"modified":"2024-09-17T16:20:37","modified_gmt":"2024-09-17T14:20:37","slug":"closing-week","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/programmation\/the-highlights\/closing-week\/","title":{"rendered":"Closing week"},"content":{"rendered":"\n
\n

Closing week<\/h1>\n\n\n\n
\n

Istres
14.01.25<\/p><\/a><\/div>\n\n\n\n

Marseille
15 and 16.01.25<\/p><\/a><\/div>\n\n\n\n

Aix-en-Provence
17 and 18.01.25<\/p><\/a><\/div>\n<\/div>\n\n\n\n

The Biennial’s Closing Nights are dedicated to live performance, offering an opportunity to discover creations where the digital arts meet other artistic disciplines such as dance, sound art and music. With immersive shows, virtual reality installations, sound and visual experiences and performances, the closing night of the Biennial raises questions about new contemporary writing.<\/p>\n<\/div>\n\n\n\n

\n

Istres<\/strong><\/p><\/h3>\n\n\n\n

January 14, 2025<\/a><\/p>\n\n\n

\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

MIRE<\/h4>\n

Jasmine Morand<\/p> \n <\/div>\n

\n Choreographic installation - Th\u00e9\u00e2tre de l'Olivier \u00e0 L'Usine<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n
\n

MARSEILLE<\/strong><\/p><\/h3>\n\n\n\n

January 16 to 19, 2025<\/a><\/p>\n\n\n

\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Collectif Nyege Nyege<\/h4>\n \n <\/div>\n
\n Live & DJ set - Espace Julien<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

DISCO FUNERAL<\/h4>\n

Studio Martyr<\/p> \n <\/div>\n

\n Transdisciplinary project, performance and virtual reality - Salle Seita<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Another Deep<\/h4>\n

S\u00e9bastien Robert, Mark IJzerman<\/p> \n <\/div>\n

\n Performative installation - GMEM Module<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Pas de deux<\/h4>\n

Anna-Marija Adomaityte \u00b7 Compagnie A M A<\/p> \n <\/div>\n

\n Dance<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

Je suis une montagne<\/h4>\n

Eric Arnal-Burtschy<\/p> \n <\/div>\n

\n Show - Grand Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La Tisseuse d\u2019Histoires<\/h4>\n

Hypnoscope<\/p> \n <\/div>\n

\n Installation and VR show - Petit Plateau<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

La m\u00eame chose mais pas tout \u00e0 fait pareille<\/h4>\n

Anne-Sophie Turion<\/p> \n <\/div>\n

\n Theater - Le ZEF, studio du Merlan<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n
\n

Aix-en-Provence<\/h3>\n\n\n\n

January 17 & 18, 2025<\/a><\/p>\n\n\n

\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

MIRE<\/h4>\n

Jasmine Morand<\/p> \n <\/div>\n

\n Choreographic installation - Th\u00e9\u00e2tre de l'Olivier \u00e0 L'Usine<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div>
\n\n \n\n\t\n
\n \n \"\"\n \n <\/div>\n \n\n
\n
\n

TOPEEP SECRET BOX<\/h4>\n

Delgado-Fuchs<\/p> \n <\/div>\n

\n Immersive, choreographic experience - Pavillon Noir<\/span>\n <\/div>\n <\/div>\n \n <\/a>\n \n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Closing week The Biennial’s Closing Nights are dedicated to live performance, offering an opportunity to discover creations where the digital […]<\/p>\n","protected":false},"author":1,"featured_media":26346,"parent":28953,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28990","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28990"}],"version-history":[{"count":5,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28990\/revisions"}],"predecessor-version":[{"id":29755,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28990\/revisions\/29755"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/26346"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}