{"id":28995,"date":"2024-08-29T16:01:54","date_gmt":"2024-08-29T14:01:54","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?page_id=28995"},"modified":"2024-12-20T17:22:09","modified_gmt":"2024-12-20T16:22:09","slug":"for-professionals","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/for-professionals\/","title":{"rendered":"For professionals"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center topTitle\"><b><strong>For professionals<\/strong><\/b><\/h1>\n\n<h2 class=\"wp-block-heading\">Upcoming events : <\/h2>\n\n<p><strong>On Jan. 16 &amp; 17, 2025<\/strong>, as part of the closing week of the 4th edition of the Biennale des Imaginaires Num\u00e9riques, many representatives of international professional networks will be visiting the Friche la Belle de Mai in Marseille and Aix-en-Provence for visits, exchanges and meetings.<\/p>\n\n<h4 class=\"wp-block-heading\">Hosted networks :<\/h4>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\">ONDA &#8211; OFFICE NATIONAL DE DIFFUSION ARTISTIQUE<\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border is-style-default wp-duotone-2ee863-67ff66-1\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"915\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR.png\" alt=\"\" class=\"wp-image-30787\" style=\"border-style:none;border-width:0px;border-radius:0px;width:160px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR-300x122.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR-1024x415.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR-768x311.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR-1536x622.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/PASTILLE_TYPO_LOGOTYPE_ONDA_NOIR-2048x829.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"has-small-font-size\">The Biennial of Digital Imaginaries and the Parall\u00e8le festival are joining forces with the Office National de la Diffusion Artistique to present national meetings on the theme of \u201chybrid forms, emerging teams: what needs today\u201d. Two days will be devoted to exploring artistic forms, peer exchanges and conversations with artists and researchers.&#13;\n&#13;\nProgram :&#13;\nEncounters \u201cHybrid forms, emerging teams: what needs today?\u201d<\/p>\n\n<p class=\"has-small-font-size\">For performing arts professionals&#13;\n<a href=\"https:\/\/www.onda.fr\/\">To find out more<\/a><\/p>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\">LE R\u00c9SEAU ALUMNI DE LA VILLA ALBERTINE<\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized has-custom-border is-style-default wp-duotone-2ee863-ffffff-2\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"346\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/villa-abertine-.png\" alt=\"\" class=\"wp-image-30888\" style=\"border-style:none;border-width:0px;border-radius:0px;width:160px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/villa-abertine-.png 1280w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/villa-abertine--300x81.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/villa-abertine--1024x277.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/villa-abertine--768x208.png 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<p class=\"has-small-font-size\">The Villa Albertine alumni network promotes the careers of its former residents, like Ugo Arsac, whose work Girlfriend Experience is exhibited at the Biennial of Digital Imaginaries. His presence at the closing ceremony is part of the network&#8217;s commitment to promoting the creative projects of its members, who embody the dialogue between innovation, art and culture.&#13;\n&#13;\nProgram :&#13;\nEncounter with Ugo Ursac&#8217;s work Girlfriend Experience, visit to the Friche la Belle de Mai exhibitions and socializing with professionals from the artistic and cultural sector.<\/p>\n\n<p class=\"has-small-font-size\">For former Villa Albertine members&#13;\n<a href=\"https:\/\/villa-albertine.org\/frenchculture\/frenchcultures\/join-the-france-alumni-network\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read more<\/a><\/p>\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\"><strong><span style=\"text-decoration: underline;\">FICEP &#8211; Forum des Instituts Culturels \u00c9trangers \u00e0 Paris<\/span><\/strong><\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-3\"><img loading=\"lazy\" decoding=\"async\" width=\"542\" height=\"102\" data-id=\"30886\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Ficep_logo_CMJN-1.png\" alt=\"\" class=\"wp-image-30886\" style=\"width:136px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Ficep_logo_CMJN-1.png 542w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Ficep_logo_CMJN-1-300x56.png 300w\" sizes=\"auto, (max-width: 542px) 100vw, 542px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"has-small-font-size\">The Forum des Instituts Culturels \u00c9trangers \u00e0 Paris (FICEP) brings together international cultural centers to promote artistic diversity and intercultural dialogue. Its participation in the closing ceremony of the Biennale des Imaginaires Num\u00e9riques illustrates its commitment to supporting innovative initiatives that explore the intersections between art and technology.<\/p>\n\n<p class=\"has-small-font-size\"><strong>Program:<\/strong>&#13;\nVisits to exhibitions in Marseille and Aix-en-Provence, social events and meetings with professionals from the artistic and cultural sector, visits to ZEF &#8211; sc\u00e8ne nationale de Marseille and the Citadelle de Marseille.<\/p>\n\n<p class=\"has-small-font-size\">For directors of cultural institutes&#13;\n<a href=\"https:\/\/www.ficep.info\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read more<\/a><\/p>\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\">PEPR ICCARE &#8211; Programme national d&#8217;acc\u00e9l\u00e9ration des industries culturelles et cr\u00e9atives (action research sector)<\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-5\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"2048\" data-id=\"30892\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1.png\" alt=\"\" class=\"wp-image-30892\" style=\"width:136px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1-300x272.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1-1024x928.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1-768x696.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1-1536x1392.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Republique_Francaise_RVB-1-2048x1856.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-6\"><img decoding=\"async\" data-id=\"30897\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO_CNRS_BLEU-1.png\" alt=\"\" class=\"wp-image-30897\" style=\"width:136px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-7\"><img decoding=\"async\" data-id=\"30899\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/ANR-logo-2021-noir-sigle-1.png\" alt=\"\" class=\"wp-image-30899\" style=\"width:136px;height:auto\"\/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"has-small-font-size\">The PEPR ICCARE network, dedicated to research into the cultural and creative industries, plays a key role in exploring the interactions between art and technology. Its participation in the closing ceremony of the Biennial of Digital Imaginaries underlines its commitment to promoting digital innovation within contemporary artistic practices.<\/p>\n\n<p class=\"has-small-font-size\">Program:&#13;\nVisit the exhibitions at Friche la Belle de Mai, Round Table &#8211; \u201cCreation, dissemination and reception of visual and digital arts: what issues to share for what changes to drive\u201d, discovery of the immersive and interactive installation En amour by Adrien M &amp; Claire B<\/p>\n\n<p class=\"has-small-font-size\">For professionals in the cultural and creative industries.&#13;\n<a href=\"https:\/\/pepr-iccare.fr\">Find out more<\/a><\/p>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\"><strong>HACNUM &#8211; R\u00e9seau national des arts hybrides et cultures num\u00e9riques<\/strong><\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-9\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"2260\" data-id=\"30827\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1.png\" alt=\"\" class=\"wp-image-30827\" style=\"width:136px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-768x768.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-1536x1536.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-HACNUM_Plan-de-travail-1-2048x2048.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<p class=\"has-small-font-size\">HACNUM, the National Network for Hybrid Arts and Digital Cultures, brings together a wide range of players involved in hybrid artistic practices and digital cultures. On the occasion of the closing of the Biennial of Digital Imaginaries, the network reaffirms its role as a catalyst, engaged in a collaborative dynamic to reinforce the recognition and professionalization of creation in digital environments.<\/p>\n\n<p class=\"has-small-font-size\">Program:&#13;\n\u201cRencontres pair-\u00e0-pair : charg\u00e9s-es de m\u00e9diations\u201d and a tour of the Friche la Belle de Mai exhibitions.<\/p>\n\n<p class=\"has-small-font-size\">For artists and professionals in the field of hybrid arts and digital cultures&#13;\n<a href=\"https:\/\/hacnum.org\/\">Find out more<\/a><\/p>\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h1 class=\"wp-block-heading alignfull has-text-align-left has-medium-font-size\"><strong>DIS &#8211; Digital Inter\/Section<\/strong><\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-12 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized wp-duotone-2ee863-rgb255255255-11\"><img loading=\"lazy\" decoding=\"async\" width=\"1576\" height=\"535\" data-id=\"30829\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir.png\" alt=\"\" class=\"wp-image-30829\" style=\"width:136px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir.png 1576w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir-300x102.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir-1024x348.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir-768x261.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGOS-DIS-petit-noir-1536x521.png 1536w\" sizes=\"auto, (max-width: 1576px) 100vw, 1576px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<p class=\"has-small-font-size\">The Digital Inter\/Section consortium brings together five European organizations, 4 digital arts structures (CHRONIQUES &#8211; France, KIKK &#8211; Belgium, SIGNAL &#8211; Czech Republic, KONTEJNER &#8211; Croatia) and a business design agency specializing in the audiovisual sector (THE CATALYSTS &#8211; Germany). The presence of the DI\/S consortium at the closing ceremony of the Biennial of Digital Imaginaries bears witness to its active role in consolidating a resilient and innovative artistic ecosystem. This event represents a privileged opportunity to unite players in the digital arts and share concrete solutions to the sector&#8217;s economic challenges on a European scale.<\/p>\n\n<p class=\"has-small-font-size\">Program :&#13;\nRadio Grenouille live and open to the public, with DIS project members, artists, partners and professionals.&#13;\n<a href=\"https:\/\/www.digitalintersection.eu\/\">Find out more <\/a><\/p>\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\">Past events : <\/h2>\n\n<p>Nov. 7 &amp; 8, 2024, at the Biennial&#8217;s opening ceremony <\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"vignetteBlock postInList\">\n\n    <a href=\"https:\/\/chroniques-biennale.org\/min\/\"  class=\"postThumbnailLink\">\n    \n        \n        <div class=\"postThumbnailWrapper\">\n                        \n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-28.jpg\" \n                     data-sizes=\"auto\" \n                     alt=\"\" class=\"lazyload\" \n                     width=\"600\" \n                     height=\"400\" \/>\n                <\/div>\n        \n        <div class=\"VignetteTxt\">\n\n        <h4 class=\"is-style-bulle\">March\u00e9 des Imaginaires Num\u00e9riques<\/h4>        \n        <\/div>\n\n    <\/a>\n   \n<\/div>\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"vignetteBlock postInList\">\n\n    <a href=\"https:\/\/chroniques-biennale.org\/min\/#FREC\"  class=\"postThumbnailLink\">\n    \n        \n        <div class=\"postThumbnailWrapper\">\n                        \n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-31.jpg\" \n                     data-sizes=\"auto\" \n                     alt=\"\" class=\"lazyload\" \n                     width=\"600\" \n                     height=\"400\" \/>\n                <\/div>\n        \n        <div class=\"VignetteTxt\">\n\n        <h4 class=\"is-style-bulle\">Forum R\u00e9gional Entreprendre dans la Culture<\/h4>        \n        <\/div>\n\n    <\/a>\n   \n<\/div>\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"vignetteBlock postInList\">\n\n    <a href=\"https:\/\/www.realities-in-transition.eu\/xrcamp\/rit-in-marseille\/\"  class=\"postThumbnailLink\">\n    \n        \n        <div class=\"postThumbnailWrapper\">\n                        \n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/12\/LOGO-RIT-COULEURS.png\" \n                     data-sizes=\"auto\" \n                     alt=\"\" class=\"lazyload\" \n                     width=\"600\" \n                     height=\"400\" \/>\n                <\/div>\n        \n        <div class=\"VignetteTxt\">\n\n        <h4 class=\"is-style-bulle\">RIT \u00e0 Marseille<\/h4>        \n        <\/div>\n\n    <\/a>\n   \n<\/div>\n\n<\/div>\n<\/div>\n\n<div style=\"height:78px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n<h2 class=\"wp-block-heading\"><strong>Join the Digital Art Club, an innovation network for Digital Imaginations.<\/strong><\/h2>\n\n<p>The Digital Art Club is a space for meetings and cooperation, dedicated to companies wishing to promote the attractiveness and dynamism of the Aix-Marseille region around Chroniques.&#13;\nWe put the arts and digital culture at the service of your employer brand, your CSR policy and your image.&#13;\nMembership of the Digital Art Club gives you access to meetings throughout the year, notably during the highlights of the Biennale des Imaginaires Num\u00e9riques.&#13;\n&#13;\nFind out more: <strong><a href=\"mailto:digitalartclub@chroniques.org\" target=\"_blank\" rel=\"noreferrer noopener\">digitalartclub@chroniques.org<\/a><\/strong><\/p>\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques.org\/networks\/digital-art-club\/\" target=\"_blank\" rel=\"noreferrer noopener\">Become a sponsor<\/a><\/div>\n<\/div>\n\n<div style=\"height:74px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For professionals Upcoming events : On Jan. 16 &amp; 17, 2025, as part of the closing week of the 4th [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":29686,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28995","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28995"}],"version-history":[{"count":21,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995\/revisions"}],"predecessor-version":[{"id":30902,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995\/revisions\/30902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/29686"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}