{"id":28995,"date":"2024-08-29T16:01:54","date_gmt":"2024-08-29T14:01:54","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?page_id=28995"},"modified":"2026-06-04T10:42:31","modified_gmt":"2026-06-04T08:42:31","slug":"for-professionals","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/for-professionals\/","title":{"rendered":"For professionals"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center topTitle\"><strong>The Market of Digital Imaginaries<\/strong><\/h1>\n\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading has-text-align-right\"><strong>october 28\u00a0<\/strong><br\/><strong>october 29 &#8211; 30\u00a0<\/strong><br\/><strong>october 31<\/strong><br\/><strong>november 1st<\/strong><\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>Arles&#13;\nAix-en-Provence&#13;\nMarseille&#13;\nArles&#13;\n<\/strong><\/h2>\n<\/div>\n<\/div>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p class=\"wp-block-paragraph\">To mark the opening of the Biennale of Digital Imaginaries, the Market of Digital Imaginaries invites professionals from the cultural and creative industries to examine the impact of digital technologies on the creative process. At the intersection of artistic, economic, and forward-looking perspectives, this international event explores the challenges and objectives of these transformations, with the aim of strengthening our capacity for action.<\/p>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\"><strong>2026 edition<\/strong><\/h3>\n\n<div class=\"wp-block-media-text alignfull is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"608\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5-1024x608.jpg\" alt=\"\" class=\"wp-image-31253 size-full\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5-1024x608.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5-300x178.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5-768x456.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5-1536x911.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Marseille_07-11-24_\u00a9Pierre-Gondard-5.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Following a 2024 edition marked by rich discussions and the participation of more than 40 nationalities, this second edition of MIN aims to examine the role of digital technology in the transition challenges facing the creative and cultural industries. Digital technologies, now at the heart of these industries, are often seen as the key to their future growth. A suitable solution to support the shift from one model to another. But what transition are we talking about? What transformations does digital technology actually bring about while facing economic or ecological constraints?<\/p>\n<\/div><\/div>\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The guests will explore the topic from the perspectives of adaptation strategies, resistance movements, and, at times, even distancing oneself from digital technology. Through four thematic areas, we will examine the challenges and objectives of these transformations in order to strengthen our capacity to act, both individually and collectively.<\/p>\n\n<p class=\"has-medium-font-size wp-block-paragraph\">MIN is also a festive and welcoming networking hub designed to accelerate collaboration and business development. It also offers the opportunity to broaden your professional horizons from October 28 to November 1 by engaging with the ICC ecosystems in Arles, Avignon, and Marseille, in addition to the meetings and conferences in Aix-en-Provence.<\/p>\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\"><strong> Theme <\/strong><em><strong>Beyond Transition<\/strong><\/em><\/h3>\n\n<p class=\"wp-block-paragraph\">Digital technologies, now at the heart of the cultural and creative industries, are often seen as the key to the sector\u2019s growth\u2014a suitable solution to facilitate the shift from one model to another. But what exactly are we talking about when we refer to these transitions? What changes does digital technology actually bring about?<br\/><br\/>Economically speaking, the CCI are questioning the viability of their business models and the financial support needed to navigate these changes. Many technological promises, however, come up against the limited resources of our world and bring to mind the ecological challenges often sidelined by a succession of crises. Nevertheless, a digital shift is already well underway. It is most evident in creative practices\u2014those of artists, entrepreneurs, and researchers. It is also evident in the practices of the public. Where and how is art created today? In what spaces does it unfold? What are these new cultural experiences? These perspectives are all the more exciting because they position art and culture as new worlds\u2014not to be conquered, but to be imagined.<\/p>\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\">2 day conference<br\/>Aix-en-Provence<br\/>October 29 and 30 at 6MIC<\/h3>\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained wp-block-hidden-desktop wp-block-hidden-mobile wp-block-hidden-tablet\">\n<div style=\"height:78px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Join the Digital Art Club, an innovation network for Digital Imaginations.<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Digital Art Club is a space for meetings and cooperation, dedicated to companies wishing to promote the attractiveness and dynamism of the Aix-Marseille region around Chroniques.<br\/>We put the arts and digital culture at the service of your employer brand, your CSR policy and your image.<br\/>Membership of the Digital Art Club gives you access to meetings throughout the year, notably during the highlights of the Biennale des Imaginaires Num\u00e9riques.<br\/><br\/>Find out more: <strong><a href=\"mailto:digitalartclub@chroniques.org\" target=\"_blank\" rel=\"noreferrer noopener\">digitalartclub@chroniques.org<\/a><\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques.org\/networks\/digital-art-club\/\" target=\"_blank\" rel=\"noreferrer noopener\">Become a sponsor<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:74px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n\n<p class=\"wp-block-paragraph\">By exploring the multiple meanings of the word \u201ctransition\u201d to better envision our possible futures, the speakers will outline several paths: adaptation strategies, resistance movements, and, in some cases, distancing ourselves from digital technology. Through a cross-disciplinary approach\u2014combining talks, case studies, panel discussions, and networking activities\u2014this professional event will focus on four main themes:<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>\u2022 Transition and the economy:<\/strong> (re)thinking the sustainability of CCI models, the challenges of European technological sovereignty, and the new algorithmic paradigm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u2022 Transition and society:<\/strong> addressing ethical issues, creative freedom, and mediation through new digital spaces.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>\u2022 Transition and Ecology:<\/strong> Exploring Sustainability Issues in Cultural Infrastructure and the Creative Sector in the Face of Ecological Crises.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u2022 Artistic transition:<\/strong> analyzing the evolution of emerging scenes, immersive experiences, and the impact of technology on the creative process.<\/p>\n<\/div>\n<\/div>\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\"><strong>Complete Career Path<\/strong><br\/><strong>Aix-en-Provence, Arles, Marseille, Avignon<\/strong><br\/><strong>October 28\u2013November 1, 2026<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<div class=\"wp-block-media-text alignfull is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"507\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-02-a-15.25.17-1024x507.png\" alt=\"\" class=\"wp-image-31315 size-full\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-02-a-15.25.17-1024x507.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-02-a-15.25.17-300x149.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-02-a-15.25.17-768x380.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-02-a-15.25.17.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">In addition to the two-day series of meetings and conferences in Aix-en-Provence, the initiative will expand to the regional level through an extended professional program running from October 28 to November 1, 2026. This tailor-made program will allow you to explore the creative ecosystems of the South Region and develop opportunities for co-productions and distribution channels between Arles, Marseille, and Avignon.<\/p>\n<\/div><\/div>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h5 class=\"wp-block-heading\">Would you like to stay informed about the program, accreditation procedures, or the organization of professional delegations?<\/h5>\n\n<div class=\"wp-block-buttons is-style-default is-content-justification-left is-layout-flex wp-container-core-buttons-is-layout-2f758ff3 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/ef67981f.sibforms.com\/serve\/MUIFAGyxw4427QsUbJTlTV8j5klrThAoS6GgfZrK6rlXKxZZPlIF6noCrP2wTTz4RFvoHNWPTAnvUPBm1dMvvnWaqpHTDvEBtNtMbm0VIPjAc1TrntOr_aCwYmGYj3I7RaOKU95Dub2VW0ZE99YaSedzh4wMROKzttcImT94RHwqj1fZYLKmEicYuTRJ7xOXoM1PFJtePENxPQxi\" target=\"_blank\" rel=\"noreferrer noopener\">Let us know<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/7f823.r.bh.d.sendibt3.com\/mk\/mr\/sh\/1t6AVsg9Ynm8rNQ7iyMsmsXgxyHJ8W\/lciz18C4RZye#top:~:text=Ajouter%20%C3%A0%20mon%20agenda\">Add to my calendar<\/a><\/div>\n<\/div>\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"874\" height=\"222\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/PLANCHE-MIN-2-e1780386524559.png\" alt=\"\" class=\"wp-image-31277\" style=\"aspect-ratio:3.9371796749158;width:736px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/PLANCHE-MIN-2-e1780386524559.png 874w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/PLANCHE-MIN-2-e1780386524559-300x76.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/06\/PLANCHE-MIN-2-e1780386524559-768x195.png 768w\" sizes=\"auto, (max-width: 874px) 100vw, 874px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Market of Digital Imaginaries october 28\u00a0october 29 &#8211; 30\u00a0october 31november 1st Arles&#13; Aix-en-Provence&#13; Marseille&#13; Arles&#13; To mark the opening [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":29686,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28995","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=28995"}],"version-history":[{"count":24,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995\/revisions"}],"predecessor-version":[{"id":31385,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/28995\/revisions\/31385"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/29686"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=28995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}