{"id":32262,"date":"2026-09-03T12:14:20","date_gmt":"2026-09-03T10:14:20","guid":{"rendered":"https:\/\/chroniques-biennale.org\/?page_id=32262"},"modified":"2026-09-10T12:43:59","modified_gmt":"2026-09-10T10:43:59","slug":"accessibility-and-commitments","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/accessibility-and-commitments\/","title":{"rendered":"Accessibility and Commitments"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Accessibility and Commitments<\/h2>\n\n<p class=\"wp-block-paragraph\">For this fifth edition, the Biennale is committed to promoting accessibility and inclusion for all audiences by combating all forms of discrimination.  <\/p>\n\n<ul class=\"wp-block-list\">\n<li>Many of the Biennale\u2019s venues are <strong>accessible to people with limited mobility<\/strong>; find this information on the page <a href=\"https:\/\/chroniques-biennale.org\/en\/getting-here-getting-around\/\"><span style=\"text-decoration: underline;\">Getting Here &amp; Getting Around<\/span><\/a>page.<br\/>Do you have a disability or limited mobility? Please let our staff know you\u2019re coming so we can welcome you in the best possible way: <a href=\"mailto:publics@chroniques.org\"><span style=\"text-decoration: underline;\">publics@chroniques.org<\/span><\/a> <br\/><\/li>\n\n\n\n<li><strong>Vibrating vests<\/strong> are available through <a href=\"https:\/\/www.provencetourisme.pro\/\" target=\"_blank\" rel=\"noreferrer noopener\">Provence Tourisme<\/a> for the events on Saturday, October 24, at the Friche la Belle de Mai in Marseille, as well as for the event on Saturday, January 16, 2027, at the Espace Julien in Marseille. To take advantage of this offer, please contact our mediators: <a href=\"mailto:publics@chroniques.org\"><span style=\"text-decoration: underline;\">publics@chroniques.org<\/span><\/a> <br\/><\/li>\n\n\n\n<li>Our docents organize <strong>tours in French Sign Language<\/strong>. To take advantage of this service, please contact our mediators: <a href=\"mailto:publics@chroniques.org\"><span style=\"text-decoration: underline;\">publics@chroniques.org<\/span><\/a> <br\/><\/li>\n\n\n\n<li>Some exhibits also <strong>feature <\/strong> <strong>activity booklets designed for families<\/strong> and <strong>digital booklets that are easy to read and understand <\/strong>.  <\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">The Biennale also offers workshops and tours designed for those who are least exposed to culture, as well as numerous free events open to everyone.<br\/>The \u201cEn route pour la Biennale\u201d program is designed specifically for groups of young people in the lead-up to the Biennale to engage with the artistic program, develop outreach tools, and become active participants in the event.<br\/>In the spirit of knowledge-sharing, openness, and collaboration, the Biennale welcomes a team of volunteers. They help organize the event and meet with the artists. This year, we are placing special emphasis on training our teams and volunteers to combat gender-based and sexual violence and harassment.  <\/p>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\">Pricing Policy<\/h2>\n\n<p class=\"wp-block-paragraph\">The Biennale is committed to maintaining an affordable pricing policy in order to make its programming accessible to as many people as possible.  <\/p>\n\n<p class=\"wp-block-paragraph\">Many events are offered free of charge and are open to the public. When purchasing tickets, audience members also have the option to make a charitable donation. These contributions help fund a \u201csuspended tickets\u201d program, which is made available to audiences supported by social service organizations with which we collaborate throughout the year. In addition to this quota of solidarity tickets, the donations collected support the initiatives of our Transmission division. In particular, they help fund initiatives that promote inclusion and accessibility for the public, such as tailored outreach programs.    <\/p>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\">Planning and Cooperation<\/h2>\n\n<p class=\"wp-block-paragraph\">The Biennale&#8217;s artistic program is developed collaboratively and based on a spirit of cooperation. The artistic committee consists of the artistic director, members of the CHRONIQUES team, partners, and invited external figures.   <\/p>\n\n<p class=\"wp-block-paragraph\">Les choix se sont faits en concertation les mois pr\u00e9c\u00e9dents la Biennale. Les projets artistiques s\u00e9lectionn\u00e9s r\u00e9sonnent avec la th\u00e9matique choisie et refl\u00e8tent d\u2019une mani\u00e8re ou d\u2019une autre les valeurs et engagements de CHRONIQUES port\u00e9s sur la diversit\u00e9 des genres, des esth\u00e9tiques et des formes, les identit\u00e9s plurielles, le respect humain et l\u2019attention aux enjeux environnementaux et soci\u00e9taux. La Biennale s\u2019engage \u00e0 ne pas cloisonner mais bien \u00e0 explorer les possibles et les marges dans un souci permanent d\u2019ouverture et d\u2019\u00e9coute de son territoire, des artistes, des publics et des partenaires.<\/p>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n<div style=\"height:31px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\">Environmental Responsibility<\/h2>\n\n<p class=\"wp-block-paragraph\">Throughout the year, a working group within CHRONIQUES has been engaged in a comprehensive review of how to reduce the event\u2019s environmental footprint and identifying areas for improvement.  <\/p>\n\n<p class=\"wp-block-paragraph\">Une attention particuli\u00e8re a \u00e9t\u00e9 port\u00e9e au transport des publics, des artistes et des partenaires tout au long de l\u2019\u00e9v\u00e8nement, \u00e0 l\u2019upcycling de nos anciennes b\u00e2ches, \u00e0 l\u2019usage d\u2019un papier recycl\u00e9 pour les supports de communication, \u00e0 l&#8217;optimisation des quantit\u00e9s imprim\u00e9es et \u00e0 la collaboration avec des prestataires locaux, engag\u00e9s dans des circuits courts, notamment pour les caterings et temps r\u00e9ceptifs. Pour cette nouvelle \u00e9dition, la Biennale int\u00e8gre le COFEES, collectif des festivals \u00e9co-responsables et solidaires de la r\u00e9gion Sud &#8211; R\u00e9gion Sud-Provence-Alpes-C\u00f4te d\u2019Azur.<\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Accessibility and Commitments For this fifth edition, the Biennale is committed to promoting accessibility and inclusion for all audiences by [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":32263,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32262","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/32262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=32262"}],"version-history":[{"count":4,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/32262\/revisions"}],"predecessor-version":[{"id":33352,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/32262\/revisions\/33352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/32263"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=32262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}