{"id":670,"date":"2020-07-07T14:59:57","date_gmt":"2020-07-07T12:59:57","guid":{"rendered":"\/?page_id=670"},"modified":"2025-02-10T15:23:32","modified_gmt":"2025-02-10T14:23:32","slug":"home-hors-biennale","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>The fourth edition of the Biennial of Digital Imaginaries has come to a close, with joy, poetry and a certain twinge of sadness. For three months, exhibitions, performances, shows, meetings and concerts punctuated the Southern Region.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Today, it&#8217;s time for us to express our sincere thanks to all those who have contributed to making this 2024-2025 edition such a wonderful adventure.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-green-color has-text-color has-link-color has-large-font-size wp-elements-70b907b8a6d4fd6a5bac0de6d34ce305\">Thank you<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>To the public<\/strong>, to reach out to the public, to speak to everyone and to do things together: that&#8217;s what we wanted for this year&#8217;s Biennale.<br>With <strong>102,504 visitors<\/strong> who once again turned out in Aix-en-Provence, Marseille, Avignon, Istres and Arles to discover the exhibitions, the prelude, the inaugural evenings, the March\u00e9 des Imaginaires Num\u00e9riques, and the closing week, it was a successful gamble. Thanks to you, this event has established itself as a time of rich exchange and dialogue between the public, professionals and artists around the theme of Pleasure and the social, political and ethical issues transformed by technology.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>To our volunteers<\/strong>, for your interest, motivation and enthusiasm in joining our team and sharing this adventure with us.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>To our institutional, cultural and private partners and sponsors<\/strong>, to those who have been with us since the first edition and to those who have recently placed their trust in us to bring this magnificent project to reality.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>To our international guests and partners,<\/strong> &#8211; Lithuania, our Guest of Honor, the Netherlands, our Focus, and Quebec and Switzerland as showcases &#8211; for helping to enrich this year&#8217;s program.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>To the technical, production, communications, mediation, administration, corporate relations and European projects teams<\/strong>, for their hard work and dedication throughout the conception and implementation of this Biennial, carried out with perseverance, dynamism and confidence.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>And to the artists, professionals and speakers,<\/strong> whose creations, discourses and imaginations deployed throughout this edition have reaffirmed the role and importance of art in rethinking the world and alternative narratives.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-wide\"\/>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Thank you to all of you who, once again this year, have made the Biennial of Digital Imaginaries a zone of joy and a welcoming space for controversy and the common good.<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignfull topSection has-white-color has-violet-background-color has-text-color has-background has-link-color wp-elements-c402b74e178840cd258e213be6e84678 is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading is-style-bulle\">La biennale<\/h2>\n\n\n\n<p>Created in 2018 and organized by CHRONIQUES &#8211; the Biennale des Imaginaires Num\u00e9riques is the highlight of digital arts and culture in the Southern region.\nExploring the visual arts, the sound arts and live performance, the Biennial focuses on the presence and use of digital and new technologies in art, invests the public space and gives a voice to national and international artists from different backgrounds.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques-biennale.org\/en\/about-us\/presentation\/\">More info<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-darker-color has-green-background-color has-text-color has-background has-link-color wp-elements-bffce2a8b049c1b65d83e3ac8ee2980d is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading is-style-bulle\">Pleasure<\/h2>\n\n\n\n<p>In a world of mounting environmental and social crises, for the Biennial of Digital Imaginaries 2024, we\u2019re like to reflect on the place of pleasure in our daily lives: how can we imagine new sources of joy despite today\u2019s challenges?<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques-biennale.org\/en\/presentation\/theme-2024\/\">More info<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/drive.google.com\/file\/d\/1T03JpwjdCVwUqPIR4KeqefMmkcT7M6Mh\/view?usp=drive_link\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Download the Biennial programme<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/985663220\/6652a54309?share=copy\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>TEASER<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome to the official website of the CHRONIQUES Biennial.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-accueil.php","meta":{"footnotes":""},"class_list":["post-670","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=670"}],"version-history":[{"count":31,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/670\/revisions"}],"predecessor-version":[{"id":30968,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/670\/revisions\/30968"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}