{"id":997,"date":"2020-07-07T18:43:56","date_gmt":"2020-07-07T16:43:56","guid":{"rendered":"\/?page_id=997"},"modified":"2026-07-17T15:14:40","modified_gmt":"2026-07-17T13:14:40","slug":"partners","status":"publish","type":"page","link":"https:\/\/chroniques-biennale.org\/en\/about-us\/partners\/","title":{"rendered":"Partners &#038; Teams"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center topTitle has-darker-color has-text-color has-link-color wp-elements-53810640e2b64593f4fc3d857eac17b5\">Partners<\/h1>\n\n<p class=\"wp-block-paragraph\">The Biennale des Imaginaires Num\u00e9riques could not exist without the invaluable support of volunteers, artists, technical staff, outreach teams, and partners.<\/p>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-002ffff5 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group offsetLeft partnerBlock is-layout-flow wp-block-group-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-center\">Institutional Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 logosGallery wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"861\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Commission-Europ&#xE9;enne.png\" alt=\"\" class=\"wp-image-861\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"165\" height=\"136\" data-id=\"2895\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/PREF_region_Provence_Alpes_Cote_d_Azur_N.png\" alt=\"\" class=\"wp-image-2895\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"293\" height=\"165\" data-id=\"879\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/region-sud.png\" alt=\"\" class=\"wp-image-879\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"747\" height=\"165\" data-id=\"882\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/CD13.png\" alt=\"\" class=\"wp-image-882\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/CD13.png 747w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/CD13-300x66.png 300w\" sizes=\"auto, (max-width: 747px) 100vw, 747px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"836\" height=\"134\" data-id=\"28436\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/logo_LAMETROPOLE_H_noir.png\" alt=\"\" class=\"wp-image-28436\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/logo_LAMETROPOLE_H_noir.png 836w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/logo_LAMETROPOLE_H_noir-300x48.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/logo_LAMETROPOLE_H_noir-768x123.png 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"301\" data-id=\"28428\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-1024x301.png\" alt=\"\" class=\"wp-image-28428\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-1024x301.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-300x88.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-768x225.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-1536x451.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/MARSEILLE_noir-2048x601.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"591\" data-id=\"31966\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/logoaix_ville_capitale2024_noir_ok-1-1024x591.png\" alt=\"\" class=\"wp-image-31966\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/logoaix_ville_capitale2024_noir_ok-1-1024x591.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/logoaix_ville_capitale2024_noir_ok-1-300x173.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/logoaix_ville_capitale2024_noir_ok-1-768x443.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/logoaix_ville_capitale2024_noir_ok-1.png 1087w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"214\" data-id=\"2903\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-1024x214.png\" alt=\"\" class=\"wp-image-2903\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-1024x214.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-300x63.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-768x161.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-1536x321.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/10\/logo-developpe-noir-2048x428.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Guests of Honor<\/h4>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PLANCHE-INSTITUTIONNELLE-3.png\" alt=\"\" class=\"wp-image-32488\" style=\"aspect-ratio:1.7778043582271323;width:939px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PLANCHE-INSTITUTIONNELLE-3.png 960w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PLANCHE-INSTITUTIONNELLE-3-300x169.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PLANCHE-INSTITUTIONNELLE-3-768x432.png 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">International Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 logosGallery wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1350\" height=\"600\" data-id=\"31997\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Calq_noir-1.png\" alt=\"\" class=\"wp-image-31997\" style=\"width:389px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Calq_noir-1.png 1350w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Calq_noir-1-300x133.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Calq_noir-1-1024x455.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Calq_noir-1-768x341.png 768w\" sizes=\"auto, (max-width: 1350px) 100vw, 1350px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"309\" data-id=\"28699\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png\" alt=\"\" class=\"wp-image-28699\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1024x309.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-300x91.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-768x232.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-1536x464.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/QUEBEC_noir-2048x618.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"178\" data-id=\"31999\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1-1024x178.png\" alt=\"\" class=\"wp-image-31999\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1-1024x178.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1-300x52.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1-768x133.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1-1536x266.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/CAC-lockup-FR-RGB-Black-1.png 1839w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"447\" height=\"129\" data-id=\"32000\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/bc-logo-indigo-rgb-1.png\" alt=\"\" class=\"wp-image-32000\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/bc-logo-indigo-rgb-1.png 447w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/bc-logo-indigo-rgb-1-300x87.png 300w\" sizes=\"auto, (max-width: 447px) 100vw, 447px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1524\" data-id=\"32002\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-scaled.png\" alt=\"\" class=\"wp-image-32002\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-300x202.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-1024x690.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-768x518.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-1536x1036.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NL_Branding_Logomark_03_RGB_BLACK_1200DPI-1-2048x1381.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" data-id=\"28705\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1024x574.png\" alt=\"\" class=\"wp-image-28705\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1024x574.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-300x168.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-768x430.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1536x861.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-2048x1148.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"576\" data-id=\"13600\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/03_LOGO_CROIX_NOM-1.jpeg\" alt=\"\" class=\"wp-image-13600\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/03_LOGO_CROIX_NOM-1.jpeg 480w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/03_LOGO_CROIX_NOM-1-250x300.jpeg 250w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1754\" height=\"1241\" data-id=\"32003\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001.jpg\" alt=\"\" class=\"wp-image-32003\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001.jpg 1754w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001-300x212.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001-1024x725.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001-768x543.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/KULTUR_LX_BLACK_page-0001-1536x1087.jpg 1536w\" sizes=\"auto, (max-width: 1754px) 100vw, 1754px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"117\" data-id=\"32011\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/FFL_black_400.jpg\" alt=\"\" class=\"wp-image-32011\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/FFL_black_400.jpg 400w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/FFL_black_400-300x88.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"105\" data-id=\"32012\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1-1024x105.png\" alt=\"\" class=\"wp-image-32012\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1-1024x105.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1-300x31.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1-768x78.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1-1536x157.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/catalan-arts-1-1.png 1940w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"893\" data-id=\"32014\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Institut-Ramon-llull-1024x893.png\" alt=\"\" class=\"wp-image-32014\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Institut-Ramon-llull-1024x893.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Institut-Ramon-llull-300x262.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Institut-Ramon-llull-768x670.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Institut-Ramon-llull.png 1085w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-unset-2\"><img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"331\" data-id=\"32015\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OFQ_noir.png\" alt=\"\" class=\"wp-image-32015\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OFQ_noir.png 809w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OFQ_noir-300x123.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OFQ_noir-768x314.png 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Network Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 logosGallery wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"2260\" data-id=\"32022\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-scaled.png\" alt=\"\" class=\"wp-image-32022\" style=\"width:389px;height:auto\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-768x768.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-1536x1536.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HACNUM-2048x2048.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"425\" height=\"142\" data-id=\"32023\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Provence-tourisme-noir.jpg\" alt=\"\" class=\"wp-image-32023\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Provence-tourisme-noir.jpg 425w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Provence-tourisme-noir-300x100.jpg 300w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"135\" data-id=\"32024\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-1024x135.png\" alt=\"\" class=\"wp-image-32024\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-1024x135.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-300x39.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-768x101.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-1536x202.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/MyProvence-Noir-2048x269.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"748\" data-id=\"32025\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NOIR-WEB-SEUL-LOGO-COFEES.png\" alt=\"\" class=\"wp-image-32025\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NOIR-WEB-SEUL-LOGO-COFEES.png 886w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NOIR-WEB-SEUL-LOGO-COFEES-300x253.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/NOIR-WEB-SEUL-LOGO-COFEES-768x648.png 768w\" sizes=\"auto, (max-width: 886px) 100vw, 886px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1171\" data-id=\"32026\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir.png\" alt=\"\" class=\"wp-image-32026\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir.png 2048w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir-300x172.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir-1024x586.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir-768x439.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/PAC-Logo-Generique-Noir-1536x878.png 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Cultural Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-0 logosGallery wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1381\" height=\"1070\" data-id=\"28449\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FRICHE.png\" alt=\"\" class=\"wp-image-28449\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FRICHE.png 1381w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FRICHE-300x232.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FRICHE-1024x793.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/FRICHE-768x595.png 768w\" sizes=\"auto, (max-width: 1381px) 100vw, 1381px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1504\" data-id=\"28882\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-scaled.jpg\" alt=\"\" class=\"wp-image-28882\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-scaled.jpg 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-300x200.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-1024x681.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-768x511.jpg 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-1536x1022.jpg 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/RVB_Biennale-dAix-cartouche-blanc-2048x1363.jpg 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"173\" data-id=\"32027\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/citadelle_logo_RVB_noir.png\" alt=\"\" class=\"wp-image-32027\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/citadelle_logo_RVB_noir.png 567w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/citadelle_logo_RVB_noir-300x92.png 300w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1418\" height=\"500\" data-id=\"28457\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/les-grandes-tables.png\" alt=\"\" class=\"wp-image-28457\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/les-grandes-tables.png 1418w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/les-grandes-tables-300x106.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/les-grandes-tables-1024x361.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/les-grandes-tables-768x271.png 768w\" sizes=\"auto, (max-width: 1418px) 100vw, 1418px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"431\" height=\"207\" data-id=\"14064\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/1_GMEM_Logo_Avec_Baseline_Noir_RVB_500x288-3.png\" alt=\"\" class=\"wp-image-14064\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/1_GMEM_Logo_Avec_Baseline_Noir_RVB_500x288-3.png 431w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/1_GMEM_Logo_Avec_Baseline_Noir_RVB_500x288-3-300x144.png 300w\" sizes=\"auto, (max-width: 431px) 100vw, 431px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"843\" data-id=\"32028\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMI-2025.png\" alt=\"\" class=\"wp-image-32028\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMI-2025.png 683w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMI-2025-243x300.png 243w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2141\" height=\"1664\" data-id=\"32029\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire.png\" alt=\"\" class=\"wp-image-32029\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire.png 2141w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire-300x233.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire-1024x796.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire-768x597.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire-1536x1194.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Cabaret-Aleatoire-2048x1592.png 2048w\" sizes=\"auto, (max-width: 2141px) 100vw, 2141px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1427\" height=\"635\" data-id=\"32030\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/VieilleCharite-vertical.jpg\" alt=\"\" class=\"wp-image-32030\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/VieilleCharite-vertical.jpg 1427w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/VieilleCharite-vertical-300x133.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/VieilleCharite-vertical-1024x456.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/VieilleCharite-vertical-768x342.jpg 768w\" sizes=\"auto, (max-width: 1427px) 100vw, 1427px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2087\" height=\"2215\" data-id=\"28459\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB.png\" alt=\"\" class=\"wp-image-28459\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB.png 2087w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB-283x300.png 283w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB-965x1024.png 965w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB-768x815.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB-1447x1536.png 1447w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/HEXALAB-1930x2048.png 1930w\" sizes=\"auto, (max-width: 2087px) 100vw, 2087px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"606\" data-id=\"28735\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2.png\" alt=\"\" class=\"wp-image-28735\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2-1024x275.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2-768x206.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2-1536x412.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Halone_Logo_Noir-2-2048x549.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"971\" height=\"165\" data-id=\"32515\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_MUTEK_2017.jpg\" alt=\"\" class=\"wp-image-32515\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_MUTEK_2017.jpg 971w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_MUTEK_2017-300x51.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_MUTEK_2017-768x131.jpg 768w\" sizes=\"auto, (max-width: 971px) 100vw, 971px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"561\" data-id=\"23879\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/12\/MG_noir.png\" alt=\"\" class=\"wp-image-23879\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/12\/MG_noir.png 480w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/12\/MG_noir-257x300.png 257w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1174\" height=\"1451\" data-id=\"13713\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/ARTS_VIVANTS_AIX-1.png\" alt=\"\" class=\"wp-image-13713\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/ARTS_VIVANTS_AIX-1.png 1174w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/ARTS_VIVANTS_AIX-1-243x300.png 243w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/ARTS_VIVANTS_AIX-1-829x1024.png 829w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/ARTS_VIVANTS_AIX-1-768x949.png 768w\" sizes=\"auto, (max-width: 1174px) 100vw, 1174px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"432\" data-id=\"28713\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1.png\" alt=\"\" class=\"wp-image-28713\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1-300x57.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1-1024x196.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1-768x147.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1-1536x293.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Polaris_Institutionnel_Noir-1-2048x391.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"968\" height=\"736\" data-id=\"32031\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir.png\" alt=\"\" class=\"wp-image-32031\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir.png 968w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir-300x228.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir-768x584.png 768w\" sizes=\"auto, (max-width: 968px) 100vw, 968px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1097\" height=\"571\" data-id=\"25479\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf.png\" alt=\"\" class=\"wp-image-25479\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf.png 1097w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-300x156.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-1024x533.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-768x400.png 768w\" sizes=\"auto, (max-width: 1097px) 100vw, 1097px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"625\" data-id=\"28719\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-2.png\" alt=\"\" class=\"wp-image-28719\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-2.png 872w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-2-300x215.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Manu_noir-2-768x550.png 768w\" sizes=\"auto, (max-width: 872px) 100vw, 872px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"153\" data-id=\"28723\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/GRENIER_A_SEL_NB-2.png\" alt=\"\" class=\"wp-image-28723\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/GRENIER_A_SEL_NB-2.png 800w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/GRENIER_A_SEL_NB-2-300x57.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/GRENIER_A_SEL_NB-2-768x147.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"973\" data-id=\"28453\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR.png\" alt=\"\" class=\"wp-image-28453\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-300x129.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-1024x441.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-768x331.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-1536x661.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-2048x882.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"761\" data-id=\"32032\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger.png\" alt=\"\" class=\"wp-image-32032\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger.png 1000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger-300x228.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger-768x584.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1864\" height=\"1864\" data-id=\"32033\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia.png\" alt=\"\" class=\"wp-image-32033\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia.png 1864w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia-768x768.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/fivia-1536x1536.png 1536w\" sizes=\"auto, (max-width: 1864px) 100vw, 1864px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"590\" data-id=\"28725\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2.png\" alt=\"\" class=\"wp-image-28725\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2-300x78.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2-1024x267.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2-768x201.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2-1536x401.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/LP-2-2048x535.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"165\" height=\"85\" data-id=\"32034\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/DIGITALE_ZONE.jpg\" alt=\"\" class=\"wp-image-32034\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"396\" height=\"249\" data-id=\"28601\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Mac-Arteum_noir.png\" alt=\"\" class=\"wp-image-28601\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Mac-Arteum_noir.png 396w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Mac-Arteum_noir-300x189.png 300w\" sizes=\"auto, (max-width: 396px) 100vw, 396px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"921\" data-id=\"32035\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-scaled.png\" alt=\"\" class=\"wp-image-32035\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-300x122.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-1024x417.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-768x313.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-1536x626.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LA-SAISON-DU-DESSIN_LOGO_NOIR-scaled-1-2048x834.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"701\" data-id=\"32037\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Musee-de-Vence-1.png\" alt=\"\" class=\"wp-image-32037\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Musee-de-Vence-1.png 1500w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Musee-de-Vence-1-300x140.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Musee-de-Vence-1-1024x479.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Musee-de-Vence-1-768x359.png 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"701\" data-id=\"32038\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/artcade.png\" alt=\"\" class=\"wp-image-32038\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/artcade.png 1500w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/artcade-300x140.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/artcade-1024x479.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/artcade-768x359.png 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1485\" height=\"497\" data-id=\"28717\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/BALLET_PRELJOCAJ-1.png\" alt=\"\" class=\"wp-image-28717\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/BALLET_PRELJOCAJ-1.png 1485w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/BALLET_PRELJOCAJ-1-300x100.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/BALLET_PRELJOCAJ-1-1024x343.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/BALLET_PRELJOCAJ-1-768x257.png 768w\" sizes=\"auto, (max-width: 1485px) 100vw, 1485px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"886\" height=\"296\" data-id=\"28715\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Espace-julien-2.png\" alt=\"\" class=\"wp-image-28715\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Espace-julien-2.png 886w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Espace-julien-2-300x100.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Espace-julien-2-768x257.png 768w\" sizes=\"auto, (max-width: 886px) 100vw, 886px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"619\" data-id=\"28769\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit.png\" alt=\"\" class=\"wp-image-28769\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit-300x82.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit-1024x280.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit-768x210.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit-1536x420.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/Parallele-logoreduiiit-2048x560.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" data-id=\"32039\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC.png\" alt=\"\" class=\"wp-image-32039\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC.png 2000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC-768x768.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/6MIC-1536x1536.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1348\" height=\"264\" data-id=\"32041\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ESAAIX.png\" alt=\"\" class=\"wp-image-32041\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ESAAIX.png 1348w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ESAAIX-300x59.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ESAAIX-1024x201.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ESAAIX-768x150.png 768w\" sizes=\"auto, (max-width: 1348px) 100vw, 1348px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"966\" height=\"960\" data-id=\"32040\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/20-000-lieux.png\" alt=\"\" class=\"wp-image-32040\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/20-000-lieux.png 966w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/20-000-lieux-300x298.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/20-000-lieux-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/20-000-lieux-768x763.png 768w\" sizes=\"auto, (max-width: 966px) 100vw, 966px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1026\" height=\"465\" data-id=\"32042\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AFAH.jpg\" alt=\"\" class=\"wp-image-32042\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AFAH.jpg 1026w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AFAH-300x136.jpg 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AFAH-1024x464.jpg 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AFAH-768x348.jpg 768w\" sizes=\"auto, (max-width: 1026px) 100vw, 1026px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"979\" data-id=\"32043\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-scaled.png\" alt=\"\" class=\"wp-image-32043\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-300x130.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-1024x444.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-768x333.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-1536x665.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMU-1-2048x887.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"891\" data-id=\"32526\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir.png\" alt=\"\" class=\"wp-image-32526\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir.png 2000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir-300x134.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir-1024x456.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir-768x342.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo_ADAGP_avecbaseline_artistes_FR_noir-1536x684.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Private Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-0 logosGallery wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"274\" height=\"71\" data-id=\"32051\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/AMO_AU-1.png\" alt=\"\" class=\"wp-image-32051\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2085\" height=\"834\" data-id=\"32044\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN.png\" alt=\"\" class=\"wp-image-32044\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN.png 2085w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN-300x120.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN-1024x410.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN-768x307.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN-1536x614.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/D_BUSINESS_DESIGN-2048x819.png 2048w\" sizes=\"auto, (max-width: 2085px) 100vw, 2085px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"521\" height=\"244\" data-id=\"32045\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Fedrigoni-Special-Papers.png\" alt=\"\" class=\"wp-image-32045\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Fedrigoni-Special-Papers.png 521w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Fedrigoni-Special-Papers-300x140.png 300w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1740\" data-id=\"32046\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-scaled.png\" alt=\"\" class=\"wp-image-32046\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-300x231.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-1024x789.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-768x591.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-1536x1183.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-GHB-depuis-6-generations-2048x1577.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1118\" data-id=\"32047\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-scaled.png\" alt=\"\" class=\"wp-image-32047\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-300x148.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-1024x507.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-768x380.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-1536x760.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/OK_logo-city-plus-gros-noir-2048x1013.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-dark-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1495\" height=\"1495\" data-id=\"32523\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited.png\" alt=\"\" class=\"wp-image-32523\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited.png 1495w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited-300x300.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited-1024x1024.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited-150x150.png 150w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/220719_LOGO_SNCF_VOYAGEURS_CMJN-edited-768x768.png 768w\" sizes=\"auto, (max-width: 1495px) 100vw, 1495px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-dark-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"935\" data-id=\"32048\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-scaled.png\" alt=\"\" class=\"wp-image-32048\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-300x124.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-1024x423.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-768x318.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-1536x635.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Logo-Gris_Clair-CMJN-300pp-2-2048x847.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1930\" data-id=\"32518\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-scaled.png\" alt=\"\" class=\"wp-image-32518\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-300x256.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-1024x875.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-768x656.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-1536x1312.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_VOULEZ-VOUS_Plan-de-travail-1-copie-2-2048x1749.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Co-producers: CHRONIQUES CR\u00c9ATIONS platform<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-0 logosGallery wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1097\" height=\"571\" data-id=\"25479\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf.png\" alt=\"\" class=\"wp-image-25479\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf.png 1097w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-300x156.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-1024x533.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2023\/05\/3bisf-768x400.png 768w\" sizes=\"auto, (max-width: 1097px) 100vw, 1097px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1169\" data-id=\"32052\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-scaled.png\" alt=\"\" class=\"wp-image-32052\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-300x155.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-1024x530.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-768x397.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-1536x794.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ACNCM_LOGO_NOIR-2048x1059.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 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src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger.png\" alt=\"\" class=\"wp-image-32032\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger.png 1000w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger-300x228.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/Centre-dart-Fernand-Leger-768x584.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"576\" data-id=\"13600\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/03_LOGO_CROIX_NOM-1.jpeg\" alt=\"\" class=\"wp-image-13600\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2022\/09\/03_LOGO_CROIX_NOM-1.jpeg 480w, 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srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Hublot_RVBNoir.png 1559w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Hublot_RVBNoir-300x32.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Hublot_RVBNoir-1024x108.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Hublot_RVBNoir-768x81.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2020\/07\/Hublot_RVBNoir-1536x163.png 1536w\" sizes=\"auto, (max-width: 1559px) 100vw, 1559px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1181\" height=\"314\" data-id=\"28773\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/ROTONDES_2points_black_baseline.png\" alt=\"\" class=\"wp-image-28773\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/ROTONDES_2points_black_baseline.png 1181w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/ROTONDES_2points_black_baseline-300x80.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/ROTONDES_2points_black_baseline-1024x272.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/ROTONDES_2points_black_baseline-768x204.png 768w\" sizes=\"auto, (max-width: 1181px) 100vw, 1181px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"514\" data-id=\"32057\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HEXAGONE.png\" alt=\"\" class=\"wp-image-32057\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HEXAGONE.png 629w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/HEXAGONE-300x245.png 300w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"589\" data-id=\"32117\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-scaled.png\" alt=\"\" class=\"wp-image-32117\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-300x78.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-1024x267.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-768x200.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-1536x400.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/lieux-publics-2048x534.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"973\" data-id=\"28453\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR.png\" alt=\"\" class=\"wp-image-28453\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-300x129.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-1024x441.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-768x331.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-1536x661.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/07\/OCTOBRE-NUMERIQUE-FAIRE-MONDE_LOGO-NOIR-2048x882.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"748\" data-id=\"32058\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-scaled.png\" alt=\"\" class=\"wp-image-32058\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-300x99.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-1024x339.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-768x254.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-1536x508.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/1-LOGO-PARTENAIRE-VSE-2021-02-2048x678.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"842\" height=\"595\" data-id=\"32059\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/QUAI-DES-SAVOIRS.png\" alt=\"\" class=\"wp-image-32059\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/QUAI-DES-SAVOIRS.png 842w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/QUAI-DES-SAVOIRS-300x212.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/QUAI-DES-SAVOIRS-768x543.png 768w\" sizes=\"auto, (max-width: 842px) 100vw, 842px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"968\" height=\"736\" data-id=\"32031\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir.png\" alt=\"\" class=\"wp-image-32031\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir.png 968w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir-300x228.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/SC-noir-768x584.png 768w\" sizes=\"auto, (max-width: 968px) 100vw, 968px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1267\" data-id=\"32060\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-scaled.png\" alt=\"\" class=\"wp-image-32060\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-300x168.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-1024x574.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-768x430.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-1536x861.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STLX_LOGO_BLACK-2048x1148.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"417\" height=\"494\" data-id=\"32061\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STATION-MIR.png\" alt=\"\" class=\"wp-image-32061\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STATION-MIR.png 417w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/STATION-MIR-253x300.png 253w\" sizes=\"auto, (max-width: 417px) 100vw, 417px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"538\" height=\"495\" data-id=\"32062\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/INTERSTICE-FESTIVAL.png\" alt=\"\" class=\"wp-image-32062\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/INTERSTICE-FESTIVAL.png 538w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/INTERSTICE-FESTIVAL-300x276.png 300w\" sizes=\"auto, (max-width: 538px) 100vw, 538px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"574\" data-id=\"28705\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1024x574.png\" alt=\"\" class=\"wp-image-28705\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1024x574.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-300x168.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-768x430.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-1536x861.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/WBI_LOGO_BLACK_officielFR_mn-2048x1148.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Media Partners<\/h4>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-0 logosGallery wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"379\" data-id=\"28797\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/NOUVEAU-LOGO-MAGAZINE-PETIT.png\" alt=\"\" class=\"wp-image-28797\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/NOUVEAU-LOGO-MAGAZINE-PETIT.png 854w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/NOUVEAU-LOGO-MAGAZINE-PETIT-300x133.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/NOUVEAU-LOGO-MAGAZINE-PETIT-768x341.png 768w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1215\" height=\"539\" data-id=\"32106\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_RADIO_NOVA-Black.png\" alt=\"\" class=\"wp-image-32106\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_RADIO_NOVA-Black.png 1215w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_RADIO_NOVA-Black-300x133.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_RADIO_NOVA-Black-1024x454.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LOGO_RADIO_NOVA-Black-768x341.png 768w\" sizes=\"auto, (max-width: 1215px) 100vw, 1215px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"1870\" height=\"679\" data-id=\"32107\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir.png\" alt=\"\" class=\"wp-image-32107\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir.png 1870w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir-300x109.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir-1024x372.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir-768x279.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/TRA-LogoBase-noir-1536x558.png 1536w\" sizes=\"auto, (max-width: 1870px) 100vw, 1870px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"968\" data-id=\"28799\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR.png\" alt=\"\" class=\"wp-image-28799\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR-300x128.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR-1024x439.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR-768x329.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR-1536x658.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2024\/08\/FE_IM-NOIR-2048x877.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"644\" data-id=\"32108\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-scaled.png\" alt=\"\" class=\"wp-image-32108\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-300x85.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-1024x292.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-768x219.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-1536x437.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/LogoZBLN-horizontal-2048x583.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-duotone-grayscale\"><img loading=\"lazy\" decoding=\"async\" width=\"2260\" height=\"1672\" data-id=\"32109\" src=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-scaled.png\" alt=\"\" class=\"wp-image-32109\" srcset=\"https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-scaled.png 2260w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-300x222.png 300w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-1024x758.png 1024w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-768x568.png 768w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-1536x1137.png 1536w, https:\/\/chroniques-biennale.org\/wp-content\/uploads\/2026\/07\/ICI_Provence-Alpes_Cote_dAzur_V_CMJN_Couleur-2048x1516.png 2048w\" sizes=\"auto, (max-width: 2260px) 100vw, 2260px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n<h2 class=\"wp-block-heading\">The teams of the Biennale des Imaginaires Num\u00e9riques<\/h2>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Management<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e9line Berthoumieux and Mathieu Vabre &#8211; Co-Directors<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Coordination<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Sarah Olaya &#8211; General Coordinator<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Administration  <\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Katell Garcia &#8211; Administrative and Financial Manager <br\/>Marylou Aubry &#8211; Administrative and Ticketing Coordinator <br\/>Sue Vann La &#8211; Accountant<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Production<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Olivier Montingelli &#8211; Production Manager <br\/>Juliette Buffard Scalabre &#8211; Project Director for the CHRONIQUES CR\u00c9ATION Platform and Project Manager for the Aix-en-Provence Exhibition <br\/>Adrien Gignoux &#8211; Public Space Project Manager <br\/>Marine Leca &#8211; Performing Arts Production Coordinator <br\/>In\u00e8s Legrand &#8211; Exhibition Production Coordinator <br\/>Justine Garibaldi &#8211; MIN Production Coordinator <br\/>\u00c9milie Briglia &#8211; Logistics Manager <br\/>\u00c9variste Otrage &#8211; Logistics Production Assistant<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Cultural Initiatives and Outreach<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Ilona Carmona &#8211; Head of School Programs, Higher Education, and Exhibition Outreach for the Biennale <br\/>Clara Chaleyssin &#8211; Head of Cultural Outreach Projects in the Social Sector, M\u00c9DIALAB, and Volunteers <br\/>Coline Perraudeau &#8211; Head of Cultural Outreach and Education (through February 2026) <br\/>Manon Delano\u00eb &#8211; Cultural Projects Coordinator Martin Campillo Digital Outreach Coordinator <br\/>Camille Bessede &#8211; National Education Liaison Teacher <br\/>Martin Dufoss\u00e9 &#8211; Graphic Designer for the game booklet and FALC booklet <br\/>Carlotta Sanna &#8211; Cultural Outreach Coordinator<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Technical<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Sara Vincent &#8211; General Stage Manager, Exhibitions <br\/>Svetlana Boitchenkoff &#8211; General Stage Manager, Live Performances <br\/>Emilie Fouilloux &#8211; Set Designer <br\/>Felix Neumann &#8211; Equipment Manager and Technical Stage Manager, Biennale <br\/>Antoine Meissonier &#8211; Stage Manager, Exhibitions, Marseille Friche la Belle de Mai <br\/>Ma\u00ebl Barthelemy &#8211; Exhibition and Video Stage Manager, Aix-en-Provence <br\/>Thiphaine Behaghel &#8211; Exhibition Stage Manager, Aix-en-Provence <br\/>Jean-Christophe Aubert &#8211; Video Stage Manager for Exhibitions at Friche la Belle de Mai<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Communication<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00e9a Muron &#8211; Communications Manager <br\/>Sarah Lesven &#8211; Communications Officer <br\/>Hugo Bougouin &#8211; Videographer<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">European Projects and International Delegations<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Ilaria Bondavalli &#8211; Manager of European Projects and International Delegations <br\/>Aur\u00e9lie Delater &#8211; STARTS Project Manager <br\/>C\u00e9line Delatte &#8211; European Projects Communications Officer <br\/>Nora Pessarossi &#8211; European Projects Assistant<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Partnerships and Sponsorship<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Rosa Mellino &#8211; Head of Private Partnerships and Philanthropy<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">Media Relations<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Agence l\u2019Observatoire: Aur\u00e9lie Cadot &#8211; National Press <br\/>; Pascal Scuotto &#8211; Regional Press<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Photographers<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Pierre Gondard<br\/>, Gr\u00e9goire \u00c9douard<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Graphic Design<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Call Me Dad &#8211; Graphic Design <br\/>Anouk Chambon &#8211; Graphic Designer<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Artistic Direction and Programming<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Mathieu Vabre &#8211; Artistic Director <br\/>Jean-Paul Fourmentraux &#8211; Guest Curator (exhibitions) <br\/>Mathieu Vabre, Mathilde Nourrisson-Moncey, Sarah Olaya, Olivier Montingelli, Ilona Carmona, Juliette Buffard Scalabre, Rosa Mellino, L\u00e9a Muron, Ana Ascencio, Coline Perraudeau &#8211; Programming Committee <br\/>, C\u00e9line Berthoumieux, Carol Giordano, Katell Garcia, Adrien Cornelissen &#8211; Text and Concept for the Digital Imagination Market<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Boards of Directors<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Seconde Nature Association<\/strong><br\/>Sylvia Andriantsimahavandy (President),<br\/>Alexandre Contencin, Emmanuelle Champaud, Chryst\u00e8le Bazin, Emmanuel Verg\u00e8s, Cyril Zimmermann, St\u00e9phanie P\u00e9court, Edina Soldo <br\/><strong>ZINC Association <\/strong><br\/>S\u00e9bastien Robinot (President), <br\/>B\u00e9atrice Simonet, Nicolas Rosette, Ga\u00ebtane Gambier-Thurot, Anne Le Gall, Orianne Ledroit<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Discover all of our institutional partners, sponsors, and media outlets.<\/p>\n","protected":false},"author":1,"featured_media":31451,"parent":29012,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-997","page","type-page","status-publish","has-post-thumbnail","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":17,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/997\/revisions"}],"predecessor-version":[{"id":32630,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/997\/revisions\/32630"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/pages\/29012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media\/31451"}],"wp:attachment":[{"href":"https:\/\/chroniques-biennale.org\/en\/wp-json\/wp\/v2\/media?parent=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}