Ainsi passe la gloire du monde

Claudie Gagnon (QC/CA)

Installation

A mnemonic installation that draws on the language of 17th-century Flemish still-life, memento mori and vanitas, Ainsi passe la gloire du monde (Thus Passes the Glory of the World) allegorizes the ephemeral destiny of human beings and the emptiness of their commitments, like everyday burials and inventories of mythological heritages.

With nods to art history, the piece stages unusual encounters between the familiar and the wild, the organic and the everyday, weaving together personal elements and universal principles. Telling stories about the permanence of humans and objects through artifacts, this work questions the content of things that outlast us, emphasizing the fragility of existence, the fleeting nature and aging of Beings

The installation comes to life in subtle ways, generating in turn the rotation of objects or the pulsation of sound, in reference to the notion of time, routine mechanisms and cycles inscribed in perpetual recommencements.

© Stéphane Bourgeois

Artists

Credits & mentions

Design : Claudie Gagnon The artist thanks the Conseil des arts et des lettres du Québec for its financial support. A co-production of Avatar and Productions Recto-Verso. Photos: Stéphane Bourgeois.

Ainsi passe la gloire du monde by Claudie Gagnon is a coproduction between Avatar and Productions Recto-Verso.

This exhibition is presented as part of CHRONIQUES – la Biennale des Imaginaires Numériques, in a coproduction between Friche Belle de Mai, Molior, Seconde Nature, and Avatar, with the support of the Conseil des arts et des lettres du Québec and the Ministère de la Culture et des Communications du Québec.

At the same location