CHRONIQUES CRÉATIONS
Performative installation
GMEM module Friche la Belle de Mai
Fri. Jan. 17, 2025
Sessions: 6pm, 7:30pm, 9pm
Running time: 40 min.
Limited capacity
Full price: €8
Reduced rate: €6
Duration: 40 min
Another Deep is an immersive audiovisual installation and live performance by Sébastien Robert and Mark IJzerman, transporting you to the ocean depths near Svalbard (Norway) to confront the layered realities of imminent deep-sea mining. Through multichannel soundscapes and intimate visual experiences, the project places you directly before the raw materials—vital for modern technologies like smartphones and electric vehicles—whose extraction transforms ecosystems and fuels geopolitical tensions.
Another Deep envelops you in sound: the haunting calls of belugas and sperm whales, the crackling of melting glaciers both above and below the surface, and the deep vibrations of the ocean floor. These sounds, captured using hydrophones and ultrasensitive microphones during the Arctic Circle Residency program, blend with visuals of the ocean floor, archival footage as well as microscopic footage. Together, they juxtapose the unseen: marine life, retreating ice, and microscopic plankton from Svalbard’s waters, with the tangible—actual deep-sea polymetallic nodules in an installation representing the mechanics of deep-sea drilling. This interplay reveals the forces of life, industry, and transformation at work in the region. Through this experience, Another Deep prompts reflection on the deep entanglement of hu- man activity and natural systems, where the Arctic emerges as a site of both fragile beauty and profound changes. It invites you to consider what is gained—and what is lost—when extraction reshapes ecosystems, and to understand the broader environmental, social, and political ripples of these actions.
We invite you to walk around or sit, whatever you like. Pictures are allowed but without flash please.
Epilepsy Warning: This installation includes intense visual and auditory stimuli, such as flashing lights and rapidly shifting imagery, which may not be suitable for individuals with photosensitive epilepsy.
Co-produced by BEK – Bergen Centre for Electronic Arts), V2_, Lab for the Unstable Media, Chroniques, Biennale des Imaginaires Numériques, the GMEM – Centre national de création musicale and Rotondes – Luxembourg — Part of the CHRONIQUES CREATIONS Platform, supported by the DRAC Provence-Alpes-Côte d’Azur, the Région Sud Provence-Alpes-Côte d’Azur and the city of Marseille — With the financial support of Creative Industries Fund NL, Mondriaan Fund, Stroom Den Haag, Amarte Fonds, The French Institute Norway and Culture Moves Europe — With the technical help of Michelle Barker (underwater drone), Diane Willow (microscopy), the EYE Museum, the National Library of Norway and the University of Edinburgh (archives) — Initiated during the Arctic Circle Residency (Svalba- rd, NO).
Mark IJzerman is an interdisciplinary artist exploring planetary processes such as eroding biodiversity and warming waters from more-than-human perspectives. Working on the intersection of ecology and media art, IJzerman uses digital technologies to create processes that have their agency to make works creating intimacy between us and the other-than-human. His work is always informed by field research and working with other professionals. He was the 2022 recipient of the S+T+ARTS4Water ‘Biodiversity in the Rotterdam Port’ residency hosted by V2_. He has performed his A/V works at various media art festivals around Europe (Rewire Festival, Meakusma, Transmediale/CTM Vorspiel, Le Guess Who?, FIBER Festival, Mapping Festival) and has most recently exhibited works at MU in Eindhoven, Art Center Nabi in Seoul, V2_ in Rotterdam, De Lakenhal in Leiden and on the International Space Station. IJzerman is a tutor at Ecology Futures MA at the Master Institute of Visual Cultures in Den Bosch, where together with his students he looks at how sensory technologies can be used to address climate emergency through experiential projects. He is a part of the new media collective Zesbaans and runs the sound art blog Everyday Listening.
Sébastien Robert (1993. Nantes, FR) is an interdisciplinary artist and researcher who develops a practice at the intersection of visual and sound art, technology, science and ethnography. Most of his projects revolve around a research cycle, You’re no Bird of Paradise, through which he explores disappearing Indigenous sonic rituals and cosmologies. Beyond simple documentation, yet not an ambitious ethnographic archiving project, he aims to translate these immaterial resources into long-lasting tangible works of art made of materials that echo the traditions of the communities encountered and the geo-specificities of the territories explored. Through his work and research, Sébastien searches for possibilities to create an engaged and expanding artistic dialogue between non-Western perspectives and new technology while questioning our perception of our environment and highlighting the epistemological diversity of our world. Sébastien has recently exhibited his work at Scopitone (Nantes, FR), Light Art Museum (Budapest, HU) and FIBER (Amsterdam, FR) and has performed at various internationally recognised festivals such as Rewire (The Hague, NL), Organik (Hualien, TW) and Mirage (Lyon, FR). Sébastien graduated with honours from the ArtScience Master between the KABK – Royal Academy of Art and KC – Royal Conservatory of The Hague in 2020, where he now lives and works.